(Note: spellings have been left in the European format as written by the author.)
The world of arms, their history, complex mechanisms and exquisite ornamentation have held a great fascination for Antonio Rincón Granados since his childhood. Antonio, as a result of extensive study and practice in this field, produces unique miniature copies of famous weapons, faithfully reproducing the detail and spirit of the originals. His pieces are fine gunsmith representations of arms, which destroy the myths surrounding weapons and convert them into works of art worthy of the wealthiest collections. This interest, to which he has dedicated 40 years of his life, was reaffirmed one day when he bought, from an antique shop in Bogotá, a 19th century Miquelet lock pistol, made by the Spaniard Agustín Bustindui, a master in the production of Damascus cannon.
Antonio Rincón at work. (Click on photo for larger image.)
Antonio Rincón was barely twenty years old when the magic of this antique testament to conquests, victories and defeats attracted his attention. A daily visit to the antique dealer's for some months was necessary in order to obtain the piece, as it had been reserved for a collector, but the ladies in the shop were finally persuaded and the purchase, of what for Antonio represented a genuine treasure, made.
Around 1962, by one of those strange tricks of fate, the person for whom the gun had been reserved was to become Antonio Rincón's mentor. This was the collector Luís Izquierdo, a member of the small select group of professionals that made up the Colombian Association of Arms Collectors. Among them was the paediatrician Alfonso Gutiérrez who owned a considerable collection and a library on the theme.
At Dr. Gutierrez's side, Antonio discovered the secrets of this hobby, learned about its history, of different mechanisms, but above all about how to distinguish the markings which confirm the authenticity of an antique weapon, a skill that enabled him to begin his own collection.
Today, this collection includes two pairs of duelling pistols in cases. One of the pairs is by the English maker John Manton, brother of Joseph Manton who first developed checkering or cross milling of handles to give a surer grip, a technique at which his sibling, John, was equally able.
The other cased pair is by Nicolás Noel Boutet, Napoleon Bonaparte's gunsmith, a leading figure in the history of this art for his detailed and impressive work. Boutet, with equal mastery, made luxury arms for the Emperor, generals and marshals as well as the standard arms issued to the troops. It is said that his work has never been surpassed.
Antonio Rincon also owns, among other beautiful antiques; a flintlock pistol of the year 1790, made by Henry Nock, one of the most important 17th century English makers; another English flintlock dated 1780 and all in metal by the gunsmith Dagless; a military percussion pistol made in France in 1850 by Chatelerot; and a tower system pistol of 1855 by the Irish makers John and William Rigby.
Books, files, private collections and auctions have occupied the time of this Colombian who enjoys international fame. His rigorous investigation and work as a gunsmith has brought him into contact with well-known experts on the subject.
One of the teachers who most influenced his career has been the North American Harold Macmillan. With this distinguished master, a skilled rifle maker and repairer, he learnt to assemble the different and complex mechanisms of firearms.
Frequent visits to exhibitions and countries that are home to the best collections have provided valuable information and knowledge. In England, Antonio was able make detailed observations, one by one, of the pieces in the Wallace Collection, the National Collection of the Tower of London and the Royal Collection at Windsor Castle. Other collections to have come under his scrutiny are those of the Royal Armoury in Madrid, the Army Museum in Paris; recognised worldwide for its comprehensive displays of Napoleonic weapons, the Dresden Armoury where Saxon arms are notably abundant, and the Bavarian National Museum in Munich.
In the U.S.A., Mr. Rincon was in direct contact with the curator of antique arms of the Metropolitan Museum of Art of New York City and correspondent of publications such as Man at Arms, Stephen V. Grancsay who wrote various commentaries about his work, admiring its high quality.
There also, Antonio Rincon met the present curator of the Museum, Stuart W. Pyhrr, who succeeded Grancsay after his death. Pyhrr, on inspecting the work of this native of the city of Tunja in the department of Boyaca, Colombia, South America, exclaimed, ''W. Keith Neal would have loved your work.'' This complement was received with approval as Pyhrr was referring to the famous English collector and arms specialist who owned some of the most fantastic arms that ever existed on earth. Later, Pyhrr invited Antonio Rincon to exhibit his work at the Arms and Armor Club of New York and backed this up with a conference in which he pointed out the achievements of the South American armourer.
This experience has given Mr. Rincon the knowledge necessary to emulate the work of such craftsmen as Segallas, famous for his repeating arms and combinations with knuckle dusters, John and William Rigby, who stand out for their percussion and also for knuckle duster combinations, J. Purdey whose flintlock and percussion systems achieved world renown, and celebrities such as Bustindui, Boutet, Manton and Enfield, among other great gunsmiths.
There can be no doubt about Antonio Rincon's versatility. His artistic sense and dexterity are impressive. He has a watchmaker's skill in handling screws with the diameter of a hair, the precision of a jeweller, making minute engraved inlays in precious metals, and the ability to reduce to a third or quarter size the intricate mechanisms of firearms, taking on all the tasks involved in the manufacture of his miniatures. Whilst the production of the originals involved many experts such as specialists in barrels, mechanisms, butts, decorations and engraving, Antonio Rincon conscientiously carries out each one of these activities. The result is a precious piece of work in which functionality and aesthetics blend harmoniously.
The refinement and artistic perfection in each one of his pieces have given him a prominent international position in this field, backed up by exhibitions in Nuremburg, Tokyo, five in Houston, Texas, and several in other parts of the U.S.A. including Missouri, Philadelphia, Pennsylvania, Denver, Reno and Orlando. Today, he is the proud holder of many important prizes, among them the Outstanding Related Arms Exhibit, given in 1999 by the National Rifle Association of America, one of the most important organizations in the United States; the Best Contemporary Made Antique, conferred in 2000 by the Miniature Arms Society of Houston Texas; and the Award for the Best Miniature Arms Exhibited at the N.R.A. annual meetings, given in 2003.
His work has merited excellent reports in specialist magazines. Ralph Koebbeman, collector, curator of his own museum in St. Louis Missouri and correspondent of the Miniature Arms Journal wrote, "In the book Miniature Arms by Merrill Lindsay, published in 1970, I have seen a photograph of the original weapon which Napoleon Bonaparte had made by Boutet for his brother Joseph, king of Spain, by the side of which appears the miniature reproduction made by the North American jeweller Billy Johnson. Now I don't want to take any honors away from Billy but we do have a relative newcomer maker, nearby, who is taking aim at Billy's crown and that person is Antonio Rincón a South American who lives in Bogotá, Colombia. I have no way of knowing whether Antonio's workmanship is as good, better or inferior to Billy's but I do know that Antonio beats him on quantity. As far as I know, Billy only made one Boutet pistol, while Antonio has made at least four pistols and a carbine. Two of his pistols have 35 gold stars on the barrel and the carbine has 176. Billy's has 150 stars."
In 1994, Antonio's miniature of a flintlock pistol made by Boutet for Napoleon appeared in the magazine Guns Review of London with the following comment: "The photograph speaks for itself". The English correspondent of the American magazine Shooting the Breeze, Victor Francis, wrote, "We have not seen anything like this in England." Such comments have served to make Antonio ever more demanding of himself. His perfectionism knows no limits. No detail escapes him. He makes his own tools and uses only the finest quality materials. Gold and silver adorn barrels and plates. Exotic woods like ebony, walnut, (taken from the part of the tree where the root meets the trunk), cherry, varieties of maple: bird's eye, red sugar, curly and tiger tail maple are used to make butts, ramrods and cases.
Antonio Rincón displays part of his collection. (Click photo to view larger image.)
Barrels and plates are manufactured from best quality Swedish steel. Not one line of his reproductions strays from the original. With the greatest precision, he assembles different mechanisms including that of Leonardo da Vinci, one of the most complicated, which required study of the originals in the Codex Atlanticus, where most of this genius's inventions are to be found.
Such extraordinary and detailed work is that which merits the 'Antonio Rincon' signature.
At the present time, his creations form part of impressive collections such as that of Joseph A. Murphy, Ph.D., decorated by the U.S. Marine Corps, Vietnam veteran, banker, collector of Impressionist art and patron of the Morning Star Foundation for the prevention of battered and abused children. Murphy, who lives in Pennsylvania is a keen collector of firearms, especially those of the Colt company, of army pistols, Kentucky rifles and handguns. He also owns various 19th century weapons. In the Miniatures of the World Museum in St. Louis Missouri, his arms were on display alongside the most outstanding in this area.
It is worth noting that important private collectors, such as the North Americans Kennith Whichard of North Carolina and Brad Maxfield of New Berlin, Wisconsin have been on Antonio Rincon's waiting list for some years, demonstrating the highly prized nature of his handmade pieces.
Antonio Rincon does not produce in series. Fortunately, his income as representative for various tailors and industrial machinery companies have enabled him to dedicate himself to this profession, a singular passion which has brought him the distinction of being recognised as an authority on the subject, and is reflected in his perfect replicas which illustrate the history of arms to connoisseurs, amateurs and enthusiasts alike.
This book, which portrays the wonderful work of Antonio Rincon, takes us on a historical journey. It begins with iron weapons and passes through medieval cannon to nineteenth century firearms.
A Chronology of significant dates, honors, published articles, shows and accomplishments
1938
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Antonio Rincón was born 16th July in the city of Tunja, department of Boyaca, Colombia South America. |
1956
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Receives his secondary education qualifications and begins work with BVD, a tailoring company, which implies traveling all over Colombia and postponing a desire to study architecture. |
1962
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After working with the BVD for about seven years obtains his qualification in marketing from the School of Sales and Management, Diriventas, and immediately begins importing industrial machinery from Europe. |
1966
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Qualifies in design and metallurgy with Harold McMillan, of New Orleans, U.S.A. |
1968
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Sets up his workshop and begins to work professionally as a miniature arms manufacturer. |
1980
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The Colombian antique weapons collector and businessman Oscar Castro Gallego, acquires four of Rincón's replicas: an English blunderbuss, a Napoleonic pistol, a rifle and an Enfield pistol. |
1984
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Antonio Rincón begins to receive international recognition and establish a reputation as a leading miniature gunsmith with the presentation of several replicas of firearms by Nicolas Noel Boutet before the Curator of Antique Weapons of the Metropolitan Museum of Art of New York City, Stephen V. Grancsay. In this same year, Grancsay writes about the merits of the South American gunsmith's work in the magazine Man at Arms. |
1991
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The English magazine Guns Review publishes a commentary on Rincón's amazing pieces. |
1992
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The American magazine Shooting The Breeze, in its October edition, publishes the photo of a case of Rincón's Napoleonic duelling pistols and two blunderbusses, one percussion and the other a flintlock with folding bayonet. |
1993
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In its June edition, the magazine Guns Review publishes a photo of an English back action percussion shotgun in the style of Joseph Harkom. |
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The magazine Shooting The Breeze publishes, in July a note about a Harkom design English double-barrelled percussion lock shotgun. |
1994
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A commentary about a case of Rincón's Napoleonic duelling pistols is published in October in the magazine Shooting the Breeze. |
1995
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In July, the magazine Shooting the Breeze dedicates the cover to Antonio Rincón's work, with a photograph of a case of duelling pistols. An extensive article featuring his medieval weapons appears in the same edition. |
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Travels to Houston, Texas, U.S.A. and exhibits work at the HGCA, Gun and Antique Collectors Show, 3rd Annual Miniature Arms Show. |
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The February edition of the magazine Guns Review dedicates two full-colour pages to his work in which are published photographs of four English weapons, a Segallas pistol, a pocket boxlock pistol and a Rigby tower system weapon. |
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His weapons are exhibited with great success at the MESSE Centrum in Nuremberg, Germany, where several antique dealers acquire them. |
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Antonio Rincón receives an invitation from the Miniature Arms Society to participate in an exhibition in Toyo Japan, where he presents several cases of duelling pistols, earning the highest praise. |
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In its June edition, Gun, one of the best Japanese weapons magazines publishes in full-colour photographs of two cases of duelling pistols, replicas of those made by the gunsmith Boutet for the Emperor Napoleon Bonaparte. |
1996
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Antonio Rincón visits the Metropolitan Museum of Art of New York City and presents his work to Stuart W. Pyhrr, the present curator of the museum who replaced Stephen V. Grancsay. Pyhrr invites Rincón to exhibit at the Arms and Armor Club, an exhibition that the curator supported with a conference at which he extolled the South American gunsmith's work. |
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Exhibits in Houston, Texas, U.S.A. and at the HGCA Gun and Antique Collectors Show. 4th Annual Miniature Arms Show. |
1997
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Ralph Koebbeman, curator of the museum Miniature World, in Saint Louis Missouri, U.S.A. acquires a case of duelling pistols with the Imperial eagle by Antonio Rincón, replicas of those manufactured by Nicolas Noel Boutet. |
1998
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The magazine Shooting The Breeze, in its April edition, publishes one of Rincón's Napoleonic carbines on the cover and dedicates a page in its October edition to eleven of his weapons. |
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He Travels to New York to visit the famous company of gunsmiths, Holland and Holland. |
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In Philadelphia, Pennsylvania, U.S.A., Rincón participates in the important exhibition of the National Rifle Association of America Annual Meetings and Exhibits. There he sells several pieces to distinguished private collectors. |
1999
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The magazine Shooting The Breeze publishes a photograph of a Napoleonic carbine by Rincón on the cover of the January edition. |
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Ralph Koebbeman buys another of Rincón's miniatures: a double-barrelled English flintlock shotgun. |
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Antonio Rincón is invited to participate in the Missouri Valley Arms Collectors Association Exhibition. Fourth National Rifle Association National Gun Show & Conference. 29th Annual K.C. National Summer Arms Show. K.C. Market Center Inn Kansas, Missouri, U.S.A. |
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The book The Art of Miniature Firearms, of the Miniature Arms Society of United States of America, which brings together the principal miniature arms manufacturers of the world, includes a comprehensive sample of Rincón's work. } |
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Antonio Rincón receives the Outstanding Related Arms Exhibit prize, awarded by the National Rifle Association of America for his superb miniatures presented at the National Gun Show & Conference in Kansas, Missouri U.S.A. |
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The Colombian Guillermo Londoño, distinguished businessman and arms collector, acquires a case of Napoleonic duelling pistols and two double-barrelled English shotguns, one a flintlock and the other percussion system, by Antonio Rincón. |
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In April, the magazine Miniature Arms, directed by Ralph Koebbeman, dedicates two pages to the conference given at the Metropolitan Museum of Art of New York City about Rincón's work. The July edition of the same magazine carries a note about an English Manton-design shotgun, and in the October edition an article is published highlighting the precision craftsmanship of a case of duelling pistols which were mandatory for generals and marshals of the Napoleonic army: all the foregoing weapons manufactured by Antonio Rincón. |
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Participates in the National Rifle Association of America Annual Meetings & Exhibits en Denver, Colorado U.S.A. |
2000
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Ralph Koebbeman buys, for the Miniature World museum, a case of Napoleonic weapons consisting of a carbine and a pair of duelling weapons. |
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Awarded the prize for "Best Contemporary Made Antique" for his wonderful display at the 8th Annual Miniature Arms Show in Houston, Texas, U.S.A. |
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The magazine Miniature Arms publishes, in July, an article about two of Rincón's unusual pocket pistols. |
2001
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Rincón participates in the 9th Annual Miniature Arms Show en Houston, Texas, U.S.A. where he sells several pieces. |
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The magazine Miniature Arms publishes the following articles: in the winter edition there is a commentary about two of Rincón's combination weapons: a wheellock and a flintlock; in the summer edition a review of the Napoleonic riding carbine with two pistols that won the Outstanding Related Arms Exhibit prize. |
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The collector Kennith Whichard, of North Carolina U.S.A. buys an English double-barrelled shotgun and case of flintlock duelling pistols. |
2002
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Rincón is invited to participate in the National Rifle Association Annual Meetings and Exhibits en Reno, Nevada, U.S.A. |
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The doctor, Brad Maxfield of Wisconsin, U.S.A. acquires a combination weapon, which includes an axe, pick and flintlock gun. |
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Exhibits at the 10th Annual Miniature Arms Show in Houston, Texas, U.S.A. |
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In the winter edition of Miniature Arms, there appears a commentary about Antonio Rincón's replica of a historic Napoleonic shotgun. |
2003
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Travels to Orlando, Florida, U.S.A. and participates with his work in the National Rifle Association Annual Meetings & Exhibits, an event held in honour of Charlton Heston. |
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The doctor, Joseph A. Murphy, Ph. D., veteran of the U.S. Marine Corps, important businessman, banker, Renaissance art collector, and owner of the finest and most valuable collection of weapons of the Colt company, and of Kentucky rifles and pistols of the 19th century among other arms, becomes acquainted with Antonio Rincón's work and buys a case with a Napoleonic shotgun and orders five replicas of weapons by Nicolas Noel Boutet from the year 1803. An order of which Antonio Rincón is very proud, as it means that his work is part of one of the most important collections in the world. |
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In April, the collector Kennith Whichard acquires from Antonio Rincón a case of miniature duelling pistols: replicas of the work of Nicolas Noël Boutet. |
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In the October edition of the magazine Action Armes & Tir of Paris, an article with photographs is published about the following replicas of the work of Boutet by Antonio Rincón: three Napoleonic carbines and a case of duelling pistols. |
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Antonio Rincón still works in the importation of industrial machinery after 42 years in the business. His activities alternate between the manufacture of miniature weapons and the representation of several industrial machinery companies. |
2004
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Antonio Rincón still works in the importation of industrial machinery after 42 years in the business. His activities alternate between the manufacture of miniature weapons and the representation of several industrial machinery companies. |
2005
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Exhibits in Houston, Texas U.SA., at the NRA Annual Meetings and Exhibits. |
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Receives the Silver Medal from the Gun Collectors Committee of the National Rifle Association of America. |
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Exhibits at the Club el Nogal, a sample of miniature weapons, and the open of the public to your book Great Arms in Miniature. |
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The dairy “El Tiempo” published an article about the exposition and the life to Mr. Rincón. |
2006
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Exhibits in Milwaukee, U.SA., (Freedom’s 2ND Army) at the 135TH NRA Annual Meetings and Exhibits. |
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Nominated by Dr. Joseph a. Murphy PhD., Martha J. Murphy PhD., member of the committee of the National Rifle Association, and Bruce Stern, member of the committee of the NRA to receive the award of the silver medal for the 2007 NRA Show to be held in Saint Louis, Missouri. |
Page 1
Page 2 — Click on the
images to the left to read an article on Mr. Rincon's work in The Miniature
Arms Journal, Summer 2006.
Edited in 2005. This book is available for
order in the USA by contacting Alice McGinnis, 2109 Spring Street, Cross
Plaines, WI 53528
Tel. (608) 798-2860.
Antonio Rincón Granados has entered into a thorough investigation of history to bring to the present the curious forms of early cutting weapons, the complex structures of catapults and trebuchets, the use of cannon and the significance of the development of small arms.
Mr. Rincón illustrates this theme with his extraordinary creations in miniature, allowing us to appreciate: the serpentine, which was the first attempt to mechanize firearms; the complicated mechanism of the wheel lock; the simplicity of the flintlock; and the breakthrough represented by the percussion system.
The work of Antonio Rincón is unique, since another collection of scale model arms with the characteristics of his is not known. Each one of the parts involved in the manufacture of his minute weapons is made by hand. These are working models, with the technical specifications of their period, which allow the observer to see and sense their place in time.
Antonio's miniatures do not compete with those produced in series in a factory. His is the work of a craftsman and takes us on a journey through history.
(Click photos for larger images.)
| Pistols and Rifles | |
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Antonio's latest project is this 9-inch long, octagonal hooked-breech barrel, poly-groove rifled carbine that is highly decorated with an elaborated damascened panel of engraved gold work depicting panoplies-of-arms, crossed canons and flags, classical motifs of Grecian-styled urns ushering forth clouds of incense and Masonic symbols of flaming orbs. There are six cartouches of Nocilas Boutet, Jean Le Clerc and BC (unknown). |
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The rifle is approximately .18 caliber at the muzzle. It features decoration including 398 five-Pointed stars only 1/32" tall. The decorated trigger guard is solid gold. Decoration on the gun includes high-relief gold work with sphinx and classical faces, a medieval boar hunt, mythological figures, scrolls, foliage, dragons, rope and floral molded borders, medusa head, armor and more. Ebony from Zaire is used on the stock, and carved ivory is also used in the designs. |
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A flintlock pistol with decoration. |
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(Awaiting caption from Mr. Rincon.) |
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A four-barreled Flintlock pocket pistonl. It's total length is 3.3 inches including the steel barrels which are only .79" long. The stock is of Colombian wood and has a hilt that is chequered or cross-milled to the scale of the original. It includes a mahogany case (not shown.) |
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Two sides of a small pistol are compared to an American $0.10 coin. |
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A rifle and two matched pistols. |
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This Flintlock Blunderbuss with Bayonet is 6.69" long. The bayonet can be folded flat against the cherry wood stock. The box is made of mahogany. |
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A set of boxed flintlock pistols by Geres Brothers with boxlock design. Each pistol is only 3.35" long with a steel barrel measuring 0.79 inches. The handles and velvet lined case are made from Zaire ebony. |
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The bottoms of the pistol grips are cast with the figure of a lion. |
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Flintlock dueling pistols with a figure of Minerva on the butt plate. They are 5.13" long in 1/3 scale. The stocks are red sugar maple inlaid with gold and silver. The case is mahogany. |
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This small flintlock pistol features a clever built-in ram for loading the charge. |
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An array of carbines and dueling pistols. |
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Bustinduei design Miquelet percussion-lock pistol in case. The second photo shows the individual items in the set displayed outside the case. |
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A flintlock carbine of Griffen design along with some of the shooting accessories that go with it. |
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Double barrel percussion system English hunting shotgun in case with accessories. |
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A double barreled flintlock hunting shotgun with French design hammers. |
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A double barreled flintlock hunting shotgun with gooseneck hammers. It is built in 1/3 scale and has total length when assembled of 15.35" with barrels measuring 10.04". |
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An Enfield percussion carbine. |
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A flintlock blunderbuss with bayonette in fitted, velvet lined case. |
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Carving detail on the bottom of a flintlock rifle. |
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A flintlock carbine with a rosette on the stock. |
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A matched set of flintlock dueling pistols with French hammer and a figure of medusa on the butt-plate. |
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A flintlock four-barreled pocket pistol in presentation case. |
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A flintlock rifle with battleax and pick. |
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A set including a flintlock saddle holster carbine and pistols. |
 
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Photo 1: LeGrand Arms and Accessories on the
garniture. (The fitted insert that goes inside the case. Photo 2: LeGrand carbine alone, left side. Photo 3: A closer view of the decoration on the stock. Photo 4: Right side of the carbine. Photo 5: The full display in its case. |
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Photo 1: A closer view of the holster pistols
from the LeGrand set. Photo 2: A pair of pocket pistols from the LeGrand set. |
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LeGrand case with different labels to the admirals. |
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Manton patent flintlock dueling pistols in a birdseye maple case. |
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Medusa pistols shown with accessories. The second photo shows the Medusa head detail from the butt-plate with hand for size reference. The third photo shows a closer detail. |
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Matchlock pistol. |
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Percussion system blunderbuss. |
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Spanish Miquelet pistol |
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Two flintlock blunderbusses with bayonets and a percussion blunderbuss with accessories. |
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A wheel lock pistol combined with medieval mace, detail. Also, the complete weapon on a historical document that describes it along with its accessories. |
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Wogdon flintlock pistol with accessories.
Photo 2: Wogdon, Manton, Boutet flintlock dueling pistols compared in size to an American $100 bill. (Length of banknote = 6.13") |
| Cannon | |
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An 18th Century Bombard |
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Bombard of Italian design |
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A rear elevation Bombard |
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A bombard with a palasaide that was raised to fire the weapon and lowered to protect the gun crew during the loading sequence. The second photo shows a top view. |
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Colubrine |
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An English field cannon |
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A cannon from the German campaign |
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Naval cannon with rams for loading the charge |
| Siege Weapons | |
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SIEGE TOWER—Towers such as this were filled with men who were protected by the thick wooden walls from enemy arrows. The tower was rolled against a wall and the drawbridge was lowered to allow the men to attack the wall. |
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CATAPULT—A counterweight on the lever arm powers this catapult. The arm is brought down with a winch, raising the counterweight. The projectile is loaded into the cup at the end of the arm and then the securing line is released, allowing gravity to power the projectile toward the enemy. |
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TREBUCHET—This more sophisticated catapult used a combination of a pivoting counterweight and a sling to launch projectiles even farther and quite accurately. |
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SCORPION—This bow weapon designed like a giant crossbow used the power stored in multiple drawn bows to fire a long projectile great distances. |
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